Review: Mount Eerie — ‘Now Only’

As Elverum continues holding space as father and widow, his art leeches into areas void of cryptic artifice and bookish synthetics. His unadorned approach resonates deeply as his sobering participation and wrestling with the unknown endures. He longs for what can’t be and with this has created something to be shared: the unfathomable.

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Review: N Chambers — ‘Eight Informal Lines’

Eight Informal Lines is a mesmerizing study in synthesized pastel ambience and spatial mind games. Chambers continues to supply his musical sphere with worthwhile exploration. His sense of form, impeccable layering, and ability to chisel meager sounds into precious minerals, makes Chambers a name to know, if and when he uses it.

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